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But even that is turned in a time, place and age in which compassion is sorely lacking, when young men believe that violence is the answer to what will make them feel better or allow them to fit in.įinally, we meet Chiron as a young adult, played with remarkable subtlety by Trevante Rhodes. He literally has nothing, and it takes kindness from his friend Kevin (played by Jharrel Jerome at this age) to bring him comfort.
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These are the years in which everyone claims to be sleeping around and a young man like Chiron (now played by Ashton Sanders) struggles to find himself, especially now that all semblance of a normal home life is gone. The film jumps to Chiron as a teenager, dealing with more intense bullying and questions about sexuality. Juan sees something good in Chiron and wants to help this quiet boy, even as he provides the product that’s ruining his home life. Juan becomes something of a father figure, but that might make this relationship sound more predictable than it is. His dad is gone and his mother Paula ( Naomie Harris) happens to be one of Juan’s best clients. Juan takes the kid out to eat, even bringing him back to his place, where he meets his partner Teresa ( Janelle Monáe). Little is found there by Juan ( Mahershala Ali, doing career-best work), a local drug dealer. We meet this youngster running, trying to hide in a boarded up apartment from the kids who want to beat him up. The film starts with Chiron as a boy, referred to by his bullies as “Little” ( Alex R. He’s a boy and then a man who has trouble figuring out his place in the world, which is also articulated by the character being played by three separate, all-remarkable actors. The film is divided into three chapters-“Little,” “Chiron” and “Black”-the three names used to refer to the same person that we follow from childhood through adolescence to adulthood. The protagonist of “Moonlight” reflects the conflicted and fluid masculinity of young African-American men in the United States, even in just the way he’s presented. Every performance, every shot choice, every piece of music, every lived-in setting-it’s one of those rare movies that just doesn’t take a wrong step, and climaxes in a scene not of CGI or twists but of dialogue that is one of the best single scenes in years. Jenkins’ film is confident in every single aspect of the way that a critic can use that word.
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It is a movie in which deep, complex themes are reflected through character first and foremost. And yet it's never preachy or moralizing. It is one of those rare pieces of filmmaking that stays completely focused on its characters while also feeling like it’s dealing with universal themes about identity, sexuality, family, and, most of all, masculinity. “Moonlight” is a film that is both lyrical and deeply grounded in its character work, a balancing act that’s breathtaking to behold. Watch Jenkins discuss the film in the clip above.“Who is you, man?” Dramatic film has long been fascinated with issues of identity, but they’ve rarely been explored with the degree of eloquence and heartbreaking beauty as in Barry Jenkins’ masterful “Moonlight,” one of the essential American films of 2016. “If Beale Street Could Talk” will be released in theaters on November 30. “So if it could happen to me with someone who’s driving me, a person in power, what the hell do you think happens to some dude working a shift at the factory? So when we got to that scene I was like, ‘This is f-g it.
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I’ve just come from the Governor Awards,” Jenkins said. “This was when I’m wearing a $5,000 suit.
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Jenkins connected this to a scene in his film where Daniel Carty, played by Brian Tyree Henry, talks about how he was sent to prison for stealing a car even though he doesn’t know how to drive, and how his sentence was marked by daily harassment by the white inmates. I’m just sitting around here waiting around to pick up this n-r.’ And then he smiled and said, ‘Oh and he’s probably going to get nominated for Best Director.'”Īlso Read: Barry Jenkins Will Direct Every Episode of Amazon Studios' 'Underground Railroad' Adaptation “He goes, ‘When I was out here before, looked all agitated, and I said to him, ‘What’s wrong?’ He goes, ‘Oh you know, nothing. “He goes, ‘Oh, you shouldn’t get in the car with that dude,'” Jenkins recounted.